Then it’s Leiber & Stoller’s I'm a Hog for You Baby, delivered with leering intent by Brilleaux as the band heads for the stratosphere. Hughesy’ll always have a soft spot for their take on the Sonny Boy Williamson/Otis Rush perennial Checking Up on My Baby where the harmonica/guitar call and response has me hearkening back to the Yardbirds, though Keith Relf would never have matched the Brilleaux growl.
There’s a strident Roxette, all thumping bass line and rasping harmonica solo, and that’s where the original vinyl stopped. A free single came with the initial pressings of the album, and ended up tacked on to the end of the CD version, coupling a Riot in Cell Block No. 9 that takes absolutely no prisoners with a suitably frenetic and absolutely exultant Johnny B. Goode that provide an absolutely appropriate final flourish.
There’s also an extended CD version of the album was released in 1991 as Stupidity +, subtitled Dr. Feelgood - Live - 1976-1990 with a slew of post-Wilko live tracks (Take a Tip, Every Kind of Vice, She's A Wind Up, No Mo Do Yakamo, Love Hound, Shotgun Blues, King For A Day, Milk and Alcohol, Down At The Doctors) but I’m inclined to take my dose of Feelgood in the original mixture, thank you very much.
When you look at it what’s on offer here doesn’t differ greatly from the original studio versions, which were cut live in the studio but the audience factor adds a frisson of friction between Johnson and Brilleaux that’s reflected in the sound. You know something’s happening, you mightn’t be able to see what it is but it’s definitely there.
This one’s indispensable if hard edged revivalist R&B ids your bag. The big question then becomes how much more of it you need.