But it did appear.
One suspects there's an autocue in operation, and they needed a window to enter the data. A final spin of the wheel produced an Imperial Chocolate bonus (Poor Napoleon, Shabby Doll). With The Imposter and Sugar Won't Work to follow it was a great way to wind up what had been another excellent show.
Significantly, Elvis left the stage with a remark along the lines of See you tomorrow night. It'll be on television. We'll all be famous.
On that basis, you'd have to see these two shows as trial runs for a concert that's going to go live to air from seven-thirty this evening, so one's inclined to filter the last two nights through that perspective and make a few predictions.
There's no doubt about the opening Overture, the four or five song blast that had Uncomplicated slotted in the middle of I Hope You're Happy Now, Heart of the City, Mystery Dance and Radio Radio.
It's also fairly obvious he's working towards a particular demographic when it comes to the wheel spinners. They tend to be young, female and almost invariably overwhelmed by the fact that they're up there on stage in front of all those people.
I was hoping he'd grab one of the geekier types I spotted in the foyer, which might have produced some interesting results, but in this setting the star of the show probably doesn't want to be upstaged.
The first spin produced the Girl bonus (This Year's Girl, Party Girl, Girls Talk, and the Lennon-Macartney Girl), and the next two delivered She, complete with comments about the original French lyric by Charles Aznavour, and Monkey to Man, followed by an impromptu Tokyo Storm Warning and Alison > The Wind Cries Mary > Somewhere Over the Rainbow > There's A Place For Us. We know they're impromptu because that's how they're tagged in the official set list.