The whys and wherefores

Thursday, 5 December 2013

Pass and Tickets.jpg

If I hadn't been to that Elvis Costello in Sydney at the end of January, I wouldn't be writing this in early December.

Costello, many years ago, came up with the concept of the Spectacular Spinning Songbook, toured briefly with it in the late eighties and then revised the methodology, which almost guarantees the audience a substantially different show each night, in the Noughties.

I'd enjoyed Sydney so much that I announced, on my return, that next time he brought The Wheel back to Australia I was going to all the shows.

Fast forward six months or so and I was sitting in an apartment at Aquarius in Cairns checking my email when a posting announced Costello would be playing four Songbook shows in Japan in December.

Significantly, it was right at the time when we were in overseas traveller mode, and the presence of Madam's sister and niece was what had brought us to Cairns.

So I'd blame them if blame wasn't too strong a word. It was more a case of the penny dropping, and having allies on hand to push the idea forward.

I told The Sister about the four shows, three of them on successive nights in Tokyo, and suggested they might be doable, flying from Cairns. She agreed, Madam was persuaded, and here I am tapping this out in a hotel room in Cairns at five-thirty in the morning.

It's actually Day Two of the trip, having driven up from Bowen on Wednesday, and the plane leaves in just under seven hours. I could well have started this a couple of days ago, but I was in the throes of finishing the Travelogue for our second Tasmanian odyssey, and, anyway, I knew that early risers need something to do when further sleep is ruled out of the question.

So, having explained the basic why, we turn our attention to the where, which breeds an interesting set of destinations under the particular circumstances, which in turn requires further explanation.

So we start with the four concerts, three on successive nights in the Roppongi district of Tokyo (Wednesday, Thursday, Friday) followed by a fourth in Osaka on the Sunday.

That brings the rail pass issue to the fore, with the key question being whether to buy the seven day or fourteen day version. The flight from Cairns deposits us at Kansai International, and the rail journey has to start in Kobe or Osaka. Given the seasonal factors, with the last show being on December 15, we need to make the Tokyo > Osaka leg on the 14th the final leg of the rail trip. We've only been back from Tasmania for a month, so a fortnight on the road, or rather the rail, in Japan is too long, so the rail pass goes for seven days.

The RailPass Question

© Ian Hughes 2012