Bruce Springsteen & The E Street Band Brisbane Entertainment Centre 16 March 2013

Sunday, 17 March 2013

Bruce Brisbane 2.jpg

I've had people tell me I have a drinking problem, and I’ll reluctantly concede that (maybe) it's quite possible I do, but there's no way known I'd be leaving my seat during a Springsteen concert in a shout for shout quest for rum and coke. Years ago we had a coaching trinity in the local school cricket fraternity, where the third member, assuming himself to be the Holy Spirit, adopted the moniker Rum and Coke, but in the presence of a performer as messianic and downright riveting as Bruce Springsteen I would have thought sitting tight and taking in every detail was almost mandatory.

That taking in every detail enters considerations because the dude beside me, apart from the regular excursions to the bar, spent a great deal of time doing something that seemed to involve tapping away on a miniature keyboard on his smart phone. I'm not sure what it was, though it may well have been something involving Twitter or some other social media engine, because I was absorbed in taking in every detail, wasn't I?

And from the start of High Hopes, recorded for a Greatest Hits or similar package a fair while back there was plenty of detail to note, particularly given the much better perspective you get from looking down on the stage.

High Hopes was followed by a rousing and robust Promised Land, the seemingly obligatory when it's the title track of the current album and the label for the whole tour shebang Wrecking Ball, and Death to My Hometown, which was certainly rousing and delivered with passion aplenty, but I hope it gets a rest in Sydney on Monday night.

Out in the Street went down rather well in all quarters, while My City of Ruins and Spirit in the Night are another couple of tracks that look like candidates for every show status. City works well in the wake of recent events, and Spirit gives an opportunity for the Clarence/Jake thing, so I'm not objecting on either front. 

In any case, how can you object when Bruce follows those two set pieces with Incident on 57th Street, The River, Atlantic City and Open All Night?

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© Ian Hughes 2012