Sneakin' Suspicion (4*)

dr. feelgood-sneakin suspicion(1)Monday, 26 August 2013

You could see the warning lights all the way along. There was, right from the beginning of the Dr Feelgood story, a serious question about the role of original material in a decidedly traditionalist outfit, and while Down By the Jetty had been heavily (two-thirds) weighted towards Wilko Johnson originals, Malpractice was closer to fifty-fifty and there are suggestions out there that the decision to record and release the live Stupidity was at least partly prompted by Johnson’s inability to come up with enough new material for a studio album. It might have been close to the classic Feelgoods album, and is definitely the one to have if you’re only having one in your collection, but Stupidity had definite hints of the old stopgap measure.

Consider the chronology. 

Down By the Jetty, recorded between June and November ’74, released January 1975. Malpractice released nine months later in October ’75. Stupidity, recorded on two nights in May and November 1975 released nearly twelve months after Malpractice in September ’76 and then Sneakin' Suspicion in May 1977.

From the undoubted 20/20 vision that comes with hindsight it looks awfully like a record company that was out to maximise the output (four albums in less than two and a half years) which is a reasonably big ask for an outfit that’s working from a basic palette with a single member contributing the all-important original material.

By all accounts there’s more to the story than the old weight of the songwriting resting on one man’s shoulders behind the potentially fatal blow (Wikipedia) that came with the departure of guitarist and co-focal point, Wilko Johnson. Along with Lee Brilleaux’s manic persona, Wilco’s stone-faced psychopath was a major part of the band’s visual impact, but away from the stage the two of them were, by all accounts, chalk and cheese, and differences over matters like alcohol (Wilko didn’t imbibe, the other three did) and the expectation that he’d continue to come up with new material seem to have eventually taken their toll. 

No surprises there.

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© Ian Hughes 2015